Complete set of Breaking Bad paper dolls by Kyle Hilton
For those who are fans of Breaking Bad, Kyle Hilton recently worked on a bunch of paper dolls similar to the Arrested Development ones for the show’s characters. Please check out his work!
Source: flannelanimal
DLZ - Tv On The Radio - Dear Science
So, this is personally MY favourite song from my favourite band.
Starts off nice and gentle, ENDS with power and authority.Give it a chance, I promise you’ll like it
Enjoi.
-Daniel
This song is totally badass. I think its inclusion on Season 2 of Breaking Bad only adds to the effect.
The directors for the first six episodes are:
1) Frank Darabont (The Green Mile, The Shawshank Redemption)
2) Michelle MacLaren (Breaking Bad, X-Files)
3) Gwyneth Horder-Payton (The Shield, BSG)
4) Johan Renck (Breaking Bad)
5) Ernest Dickerson (The Wire, Dexter)
6) Guy Ferland (The Shield, Sons of Anarchy)
The writers for the first six episodes are:
1) Frank Darabont
2) Frank Darabont
3) Frank Darabont, Chic Eglee, Jack LoGuidice. (Chic: The Shield, Dexter. Jack: Sons of Anarchy)
4) Robert Kirkman (wrote some comics I think)
5) Glen Mazzara (The Shield, Hawthorne)
6) Adam Fierro (The Shield, Dexter, 24)
Holy moly, that is some pedigree! I’m not hugely invested in the comics, but having writers and directors from The Shield, Breaking Bad, BSG and The Wire can only be a good thing.
Source: mattlovescomics
This is the greatest job in the world. Yeah, it’s exhausting, and there’s not enough time, and you can get hung up very easily on all the things that are wrong and all the things that didn’t work out quite like you’d hoped they would. I’ve fallen victim to that before and I’ll probably do it again. But if you’re being honest about it you have to say to yourself, “I’m the luckiest son of a bitch in the world.” It’s amazing. Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you’d write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the ’30s and ’40s and ’50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
My writers and I sit around and dream this stuff up and then we see it executed a week or even days later, and it’s a wonderful feeling and it’s magical. […] But it’s an intense pride. And it’s not a pride of “I did this,” it’s a pride of “we did this,” because it really is a group effort. There’s no one person doing it all in television or in the movies.
