February 2012
29 posts
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Take one (1) unformed character, be they protagonist, antagonist, comic relief,...
– Cat Valente, Thoughts on Writing Pt 3, at Charles Stross’s blog
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Viewpoint: V for Vendetta and the rise of... →
momentofmoore:
Alan Moore On Anonymous and V’s Mask…
‘Without wishing to overstate my case, everything in the observable universe definitely has its origins in Northamptonshire, and the adoption of the V for Vendetta mask as a multipurpose icon by the emerging global protest movements is no exception.’
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MJ: Amid all the media hubbub, what do you hope is the upshot of this,...
– Mother Jones: Exclusive: Marines’ Nazi-Flag Whistleblower Comes Forward
Glad to see that even trained killers aren’t immune to bullshit HR-speak.
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I’m sort of at a loss when it comes to explaining what Alan Moore has done...
– Tom Spurgeon says it better than I could.
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The explanation for this effect returns us to the benefits of not being able to...
– Jonah Lehrer on why being sleepy and drunk is great for creativity. Lehrer’s must-read new book, Imagine: How Creativity Works, comes out in March and is now available on pre-order. (via curiositycounts)
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Live and learn how to make films. I didn’t go to film school. I just watched...
– The Terry Gilliam School Of Film: 10 Lessons For Directors Today
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Comixtime: Gives Me FEELINGS Special Edition
So, this is happening. And Alan Moore isn’t happy about it.
Basically, Moore is in the right here. I don’t know how anyone can say otherwise, unless they straight out say “screw Alan Moore, I want more Rorschach beating up criminals”. That would at least be honest.
American superhero comics is a medium based on taking others’ ideas and running with them. And there have been many instances...
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2012: the year DC put Rob Liefeld on 3 books and...
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Writing Tips from Henry Miller, Elmore Leonard,... →
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